“Fast” and “Smooth” are the two settings of the “Envelope Follower.” A dedicated “Mix” knob can assist in balancing the effects and their resulting mixed sound. This thick-sounding filter with “Envelope Follower,” “Cutoff,” “Drive,” and “Resonance” controls can make your guitar, bass, or keyboard sound as funky as ever. The “Amp Room” module is responsible for creating the optimum instrument sound. The modulation wheel acts as an attenuator, fine-tuning the amount of modulation spread, and may also be routed to an oscillator pitch or a specified filter cutoff frequency. As an alternative modulation source, a dedicated LFO can be employed. This part has a “Master Tune” knob that controls the overall tuning of the Model 72, the “Note Glide” pace, and the modulation mix. You’ll find three oscillators here, two with almost similar output waveforms and a third dedicated to working as an independent modulation oscillator with greater tuning range and slightly varied waveforms, providing modest variation when making new tones.Īll of the magic takes place here. The tone generator is the basic core of the synth, where all sounds are created to be subsequently adjusted. These two new knobs enable you to have the identical notes you played doubled by another synth and to adjust how much this doubling is spread out in the stereo image. The “Expansion” tab, for example, allows you to freely adjust individual parameters such as “Doubling” and “Spread.” One of the nicest aspects of a virtual instrument is the new features that may come with it. Model 72 does the same thing by meticulously reproducing every module of this synth to deliver the most realistic feel possible from every small adjustment in any knob or parameter. Softube has extensive expertise simulating music gear and has collaborated with hundreds of audio businesses such as Solid State Logic, Tube-Tech, and Weiss Engineering. Softube took the initiative to recreate the essence of a real 1972 hardware in good shape, capturing and translating every aspect into this virtual instrument. However, the components inside its structure ensured that these sounds were as unique and original as possible, which is an important feature of their distinct tone. The finest synthesizer sounds were frequently performed through antique machines, sometimes with hundreds of patch connections or knobs to fiddle with. The nicest retro sounds may be obtained by using an analog device. Btw, I do like the Bass Amp but I have none real to compare.13.5 Softube Spectral Multiband Resonator 1. It needs to be cheaper to help the decision. So it's not an immediate must buy, not bad but not a replacement by a long shot. I do not like the white amp at all, though it can be dialed in for a useable tone. I may still buy the plug-in for clean tones, which are very usable but I can run loadboxes on the real thing too. Also as others have said these do not clean up if at all to guitar volume knob which is almost a deal breaker. Also the Green does not respond to volume "drive" at all like my vintage but maybe mine has had mods along the way or needs recapping (far as I know it's not modded). Not unusable when dialed in but not accurate. While I really like the DEMO clean tone (Vol <2-ish) on the sims for Brown and Green, I can't say the overdriven sounds are realistic to the originals - harsh, fizzy. I own Fenders (135watt twin, tweed champ '54, '58, '63 vibrolux, ~'65 v.reverb, resissue d.
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